Come and Play saxophone at King’s Live Lounge

Thanks to all who participated in our first Come and Play saxophone session at the newly renovated King’s Live Lounge in Kirkcaldy (great new venue!). We played through some great music including a lovely arrangement of a Shostakovich waltz by Mike Brogan, and original compositions by Alastair Penman and Chris Gumbley.

We welcomed guest tutor Catherine Evison due to the unfortunate collapse of Flybe, and it was great to perform our end-of-session concert on a real stage complete with theatrical lighting and haze too. Looking forward to the next one! Watch this space or sign up to our mailing list to find out more.

Come and Play Saxophone

Our Come And Play Saxophone morning was great fun today. Thanks to all the saxophonists who came along – you sounded amazing! Also big thanks to St Andrews Music Centre for hosting, to Mike Brogan for being our guest tutor for the day, and to The Wind Section, Edinburgh for bringing their trade stand of tempting saxophone goodies!

We played some fun repertoire from Saxtet Publications including ‘All In Good Time’ by Karen Street and ‘Simple or What?!’ by Chris Gumbley. In our improvisation workshop, we used blues scales to improvise over one of the tunes too, which resulted in some awesome solos in the concert at the end of the morning. We had a good blow through lots of music from all sorts of genres including movies, jazz and classical.

If you enjoyed today then why not come along to one of our groups? The St Andrews University Sax Ensemble rehearses on a Monday night in the Younger Hall, and Fife Sax School’s very own Community Sax Group in Kirkcaldy on a Saturday morning is great fun too!

We will have some great events coming up in the new year, so keep an eye on the website or sign up to our newsletter to be the first to hear. Fife Community Sax Group will be resuming regular rehearsals in Kirkcaldy on a Saturday morning, and there will be one-off workshops to develop your saxophone-playing skills.

Have you always wanted to play saxophone but not known where to start? Then why not get in touch with us now and we will help guide you through the early stages of getting an instrument and starting lessons.

Saxophone Ensemble Skills Workshop

Open to all saxophone players aged 18+

Saturday 9th November 2019

10:00am to 1:00pm

Windmill Community Campus, Kirkcaldy, KY1 3AL

This small-group workshop for saxophone players (max. 10 participants) is all about the skills needed to play in a group. It is aimed at people who have less experience or confidence when it comes to ensemble playing. 

The session will feature quite basic notation reading in order to allow for maximum discussion and development of the features of ensemble playing. Areas covered will include:

  • Tuning
  • Balancing volume
  • Beat and rhythm
  • Counting rests
  • Articulation and phrasing

The session will be led by experienced performer and teacher Ellie Steemson, featuring fun repertoire in a relaxed and friendly setting.

The adults I teach often tell me they would like to play their saxophones in a group setting, but feel anxious about going along to an established group. Much of the knowledge needed to thrive in a group musical environment is quite basic, but when a group has many experienced members already these basics are not always explained. Therefore new players joining the group can end up feeling left behind and confused, and are often put off by this experience.

I aim to demystify these basic skills in order to make playing in a group something more aspiring adult musicians can enjoy. In order to do this, we will explore the skills required by breaking down them into small areas and focusing on each one separately. There will also be plenty of time to focus on individual questions and concerns due to the small group size.

Ellie Steemson

Fee of £30 is payable in advance via bank transfer to secure your place. Please bring a music stand.

A brief guide for those new to playing music in a group

By Ellie Steemson                                                                       14thAugust 2019

 Playing in an ensemble is one of the most beneficial activities for those learning a musical instrument, whatever your age or experience.  As a teacher I notice a huge leap forward in my students’ playing when they play regularly as part of a group.  It’s also really good fun – but it can feel daunting when you go along to your first rehearsal.  I’ve written this guide to give you a bit more of an idea of what to expect, along with a few hints and tips to maximise your success.  I hope you find it helpful!

What does it feel like playing in a large group for the first time?

If you are used to practicing on your own without any accompaniment it will feel quite different.  The music will probably seem to whizz by, and to begin with you may find it difficult to stay in the right place (musicians tend to use the term ‘getting lost’).  

The main thing is not to panic – mistakes always feel huge to you as a player, but I’ve lost count of the number of times people have said to me ‘Well I totally messed up … in that piece’ and if they hadn’t told me I would have had no idea!  As a conductor, I will never be angry with anyone for getting lost or making a mistake. Mistakes are learning tools, and anyone who is trying to stop themselves from making a mistake is stopping themselves from learning!

Do your best to find your way back in. As the conductor I may notice and try to help you, and I will try to give an obvious signal whenever we get to a rehearsal mark in the piece.  Or your desk partner (the person you share a music stand with) or neighbour might be able to help you out if they are more experienced by pointing out where you are.  If all else fails just stop playing and listen to the rest of the piece.  You can learn a lot this way so don’t be afraid to take some time out – it may well help you to avoid getting lost again in future. 

There are two ways you can look at playing in a group.  On the one hand you can think that if you’ve made a mistake you’re letting everyone down. Or, the more positive way of looking at this is to say that all the other people are there to catch you if you fall.  The best group playing happens when everyone is supportive of one another and forgiving of their mistakes.  Try to keep your focus on the whole sound of the group, rather than getting too bogged down in playing your own part perfectly.   

What to expect in rehearsals:

When you are part of a large group, individual playing problems (with notes, rhythms, etc.) are a matter for practice at home.  What we are aiming to do is make a great group sound, and with a large group of people that is inevitably (every single time, including concerts!) going to include mistakes by lots of folk – me as a conductor included.  We are all human. 

Rehearsing a new piece will normally start with playing it through roughly from start to finish.  We will then go through it in smaller sections where we may work on areas like dynamics, timing, tuning and balance, then going back to run the piece through and (hopefully!) retain all the things we just worked on.  We may also rehearse smaller groups within the ensemble, if they have related parts. 

It may be tempting to have a quick practice of a difficult passage during the rehearsal, but try to avoid doing this at it can become quite disruptive (contagious noodling then ensues!).  If you do have a difficult section to go over, use your pencil to mark it or make a note of it for yourself when you are practicing at home. 

Use your pencil lots! I use mine to write accidentals in if I need to, to circle important dynamics that I may forget to play, or to make annotations such as who is playing the tune, what the conductor is counting in or how many times to repeat a section. 

Good rehearsal discipline saves loads of time and creates brilliant results.  If everyone takes responsibility for this on an individual level then the group is a lot more productive. 

Following a conductor:

The conductor has two sides to their role.  The practical side involves the basics of making sure the pieces start and finish together, showing the speed and time signature, and trying to encourage the written dynamics and articulation through gestures with the body.  They are also responsible for keeping the rehearsal on track in terms of timing and material covered, and in a performance they provide a focal point for the audience too.

The other side is more creative.  Great ensembles play with a unified intention behind the music, and the conductor might convey this through gestures with the body, and through verbally sharing their concepts and feelings about the music.  

Hints and tips:

  • Always keep a pencil (preferably with an eraser on) in your sax case for use in rehearsals.
  • When playing sitting down, it is best to sit near the front of your chair, and bear in mind that you will probably need to have the mouthpiece at a slightly different angle than you would when standing.
  • If you have a tuner or tuning app, it’s worth checking your tuning when everyone is warming up at the beginning of the rehearsal. We will tune together as well, but it can make things easier if you are already in roughly the right place.

Copyright: Ellie Steemson  14thAugust 2019

Fife Community Sax Group

Just getting some music ready for our first Fife Community Sax Group rehearsal on Monday.

If you’re a local sax player, why not join us? No previous ensemble playing experience needed. Just bring yourself, your sax and a music stand if you have one.

If you’re not sure whether it’s for you, just come along and try it out. There are five weekly sessions in total, but you don’t have to come to every single one. Cost is £5 per session.

If you’d like to come, all you need to do is contact us. Hope to see you there!